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Rainer Maria Rilke (1875-1926) is widely regarded as the greatest lyric poet of this century. His major achievements--the New Poems, the Sonnets to Orpheus, and the incomparable Duino Elegies--had a powerful impact on European literature and have been the subject of intense scrutiny and increasing acclaim since the poet's death. Only in recent years, however, with the emergence of key documentary material, has it become possible to present the full story of Rilke's life. In A Ringing Glass, Donald Prater's aim is not to add to the preponderance of critical interpretations, but to provide a portrait of the man himself, and to show the background in which Rilke's extraordinary vision developed.
And it is an extraordinary background. Rilke's nomadic existence led him from his birthplace in Prague through Germany, Russian, Spain, Italy, France, and finally Switzerland. He visited Tolstoy at Yasnaya Polyana, acted for a time as secretary to Rodin, and was a friend of Romain Rolland, Leonid Pasternak, and Walter Rathenau. He was the protege of Princess Marie von Thurn und Taxis and the lover of Lou Andreas-Salome and Baladine Klossawska. Financially and emotionally, Rilke needed these associations; yet he dedicated himself fully to his art and remained single-minded in his search for the solitude it required. In his correspondence, from which Prater draws extensively, Rilke reveals the tragic conflict between his needs as a man and his goals as a poet.
With this comprehensive biography, readers can delve deeply into the life Rilke built, a life as courageous and rare as the poetry it left behind.
- Sales Rank: #1516839 in Books
- Published on: 1994-04-28
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 1.24" w x 6.13" l, 1.70 pounds
- Binding: Paperback
- 506 pages
From Publishers Weekly
Rilke wanted to live for his writing alone; he felt that the means to create ita decent income, pleasant surroundingsshould be given to him. Lucky breaks and sporadic patronage enabled him to survive on his own terms, renounce his wife and chlid and do nothing but write. Prater maintains that Rilke's poetry is essentially narcissistic and personal despite its cosmic allusionsa welcome corrective view that will be shared by many. According to Prater, Rilke hid behind an ideal self; the women who loved and mothered him, the friends so eager to help him, were far from knowing the real man. This lively yet somehow impersonal biography contains no literary criticism. Instead, it focuses on Rilke's constant existential crises, his relationship with the women whom he tended to idealize, his wanderings through Europe and search for fame, all of which are refracted through previously unpublished letters as well as testimonials. As the somber story of a poet who ultimately found no relationship with the outside world, this demythologizing biography is revealing, but one puts it down feeling that a large part of the picture is missing.
Copyright 1986 Reed Business Information, Inc.
From Library Journal
Rainer Maria Rilke (1875-1926) ranks among the greatest lyric poets of our century. Prater's study is a major contribution to our understanding of the man who stands behind such extraordinary poetic achievements as the New Poems , Sonnets to Orpheus , and Duino Elegies. Quoting extensively from letters and memoirs published in recent years, Prater unfolds before us the portrait of a man whose daily struggles revolved singularly around the creation of his art. This well-documented, eloquently written, and beautifully presented biography should be of great interest to lay reader and specialist alike. Essential for college and public libraries. Ulrike S. Rettig, German Dept., Harvard Univ.
Copyright 1986 Reed Business Information, Inc.
Review
"The reputation of Ranier Maria Rilke has enlarged enormously since his death 60 years ago: Even in the English-speaking world, he is now ranked, along with W.B. Yeats, as the major poet of the century....Donald Prater's new biography of Rilke--the most complete, detailed biography of Rilke ever written--underscores Rilke's uniqueness....A Ringing Glass is the best biographical account, so far, of a man determined to live on the loneliest outpost of the self and who brought back from there trophies for everyone."--San Francisco Chronicle
"A major contribution to our understanding of the man who stands behind such extraordinary poetic achievements as the New Poems [and] Sonnets to Orpheus....[A] well-documented, eloquently written, and beautifully presented biography."--Library Journal
"Donald Prater...seems truly alive to the time and place, the poet and his poetry....This book is intensely interesting and rewarding."--Book Forum
"The book is filled with interesting details about Rilke....More importantly, however, Prater succeeds in capturing the euphoric moments as well as times of deep despair in Rilke's life, which greatly affected his artistic creativity and thus his works. The quotes, mostly taken from his letters, are well-chosen and well-translated by Prater....A valuable addition to Rilke scholarship."--Southern Humanities Reviews
"A shrewd and authoritative biography."--The Christian Science Monitor
Most helpful customer reviews
52 of 54 people found the following review helpful.
Behold, the man!
By Duane M. Johnson
Of the three Rilke biographies that I have read (Ralph Freedman and Wolfgang Leppman being the others), this one was the most consistently satisfying. Prater purports to concentrate more on the personal aspects of the poet's life, and, comparatively speaking, I think that he succeeds. There is less of the not always helpful literary commentary in which, for example, Freedman indulges, and by comparison the Leppmann book has more of that snapshot quality about it that seems to be such a tendency now in biographies written by German authors--as examples I am thinking here of Gregor Martin-Dellin's book on Wagner, and Ruediger Safranski's books on Nietzsche and Heidegger.
In this book there is a greater sense of continuity with regard to the inner workings of Rilke's personality and emotional life. And we know that the evidence for that inner life is most rich, and like any other writer dealing with this poet, Prater does not always take everything at face value because of what he describes as Rilke's continuous habit of "self-stylization". If you wish to read and own a single Rilke biography, this is really the one!
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